![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSd71phvdd56AVZn75Z0xvTGsCPkX59cjlzZIzvhNlHbf5QH1Ps2ft_0fe-LgGanqX9E1K2Gbwpn_swzxQR4sHuy_yQP207SIK2FjJGznC_4cZhG10mKLWAQ6k8PsTp5lk4Gzny09srw/s400/IMG_0094.JPG) |
© 2013 Jill Alo, fleet/fleeting, 12.5 x 14", intaglio with a la poupee |
I was in the studio yesterday with artist
Jill Alo. I have long been inspired by her work (blog posts
here and
here) and yesterday was no exception. She was printing a new plate made out of plastic coated foam core (brand name Cel-tec or Sintra) with a coating of gesso on top.
Here's a detail of a black and white version so you can grasp the beautiful textures within.
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© 2013 Jill Alo, fleet/fleeting, detail |
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© 2013 Jill Alo, fleet/fleeting, plate detail |
Here's the process:
- Start with a piece of Cel-tec material and bevel it. (Hand held files work great, as does a scraping tool.)
- Apply gesso with a brush or palatte knife, depending on the texture desired. Sand.
- Carve into the plate.
- Ink up and print. Jill printed the plate intaglio style using oil-based etching ink mixed with burnt plate oil and wiped with a shop towel.
I'm about to attempt the same technique but I'm trying mat board as my substrate instead of Cel-tec. I won't be able to do a deep gouge, but I will layer on several coats of gesso so I can make some marks with a stylus. I plan on proofing next week and I'm excited to get back into the printshop after a long hiatus.
1 comment:
Love Love Jill's work!
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